After you say goodnight, I can’t look myself in the face.
I am becoming something much larger than myself,
and you lie, greedy and naked in my eyes.
My spine retches, the room’s on fire
with my hot breath and chattering nerves.
I am becoming something much larger than myself,
and you lie, greedy and naked in my eyes.
Leaves will die and freeze under
the weight of January midnights
before I will find a proper hole
to bury myself in.
I am becoming something much larger than myself,
and you lie, greedy and naked in my eyes.
After your goodnight, I forced myself to look in the mirror
expecting the answer to be carved in bold across my forehead.
I am becoming something much larger than myself,
and you lie, greedy and naked in my eyes.
This week on the Savage Wonder podcast…
Matt Smythe is a staff writer for Free Range American. He hails from the Finger Lakes region of western New York. An Army veteran and lifelong outdoorsman, Matt suffers from an inability to sit still. If he’s not in the woods, or on the water, he’s scheming ways to get there. His work has appeared in Gray’s Sporting Journal, the Fly Fish Journal, The Drake, Southern Culture on the Fly, Revive, Midcurrent, TROUT Magazine, and a handful of other non-outdoors-related magazines and literary journals. He recently published a book of poetry with Dead Reckoning Collective titled Revision of a Man.
Folks - the Parlor is back!
Starting this Saturday night, downtown Cornwall is once again the place to see great theater with Joshua Harmon’s 2018 Drama Desk and Outer Critics Circle award winning dramady Admissions. Drinks, dessert, a hilarious live performance, professional actors, an intimate unforgettable space, pay-what-you-can tickets…it simply does not get better than this.
I’m not going to lie, we’re poking the bear a little with Admissions. It’s not a traditional comedy. It’s a provocative yet even-handed look at the college admissions process and the hypocrisies, gaffes, primal screams, and noble intentions behind race-based admissions. Issues of race, class, and privilege are confronted head-on with Joshua Harmon’s straightforward, unsparing, blunt dialogue. It’s a night of satire, drama and social commentary that will leave you questioning, laughing, and shaking your head.
As always, you’re welcome to show up and hope for a cancellation. But if you really want to see the show, why not book now and save yourself the uncertainty?